“uh…i made you a mixtape…”
So just so you know, there’s a mixtape at the end of all this. It’s like dessert.
My first deep dalliances with indiepop dovetailed perfectly with the early days of the internet. I spent insane amounts of money on magazines like Option and Alternative Press (which was really, really good in the early 90s) and tried to find as many ‘zines as my pathetic college town could muster, but I wanted some kind of real-world community where I could talk about all these new bands I was discovering.
I can’t remember how it was that I came to find the e-mail listserv known as the Indiepop List (now semi-legendary among pop fans of a certain age), but after just a few weeks of membership my head was spinning, trying to tell BMX Bandits from Kleenex Girl Wonder.
The best part about that list was the music sharing. Every few months the list would assemble a ‘tape trading circle.’ Users who signed up were e-mailed a name and address, and they had a few weeks to get together a mixtape for the name that they were given. There was this weird anticipation that started building as the due date neared — would you finish your tape in time? And would the tape you got in return be any good? I tended to get just as excited about the envelope as the tape it contained; one month I got a bright blue cassette with a return address in Japan. It almost didn’t matter what was on the tape, I’d made this odd connection with someone I’d never meet.
Because it was, after all, the Indiepop List, the songs all hewed religiously to a particular aesthetic, and it was that style that came to inform much of my music listening. The aesthetic was as follows: jangle, jangle, distort, big chorus, “I like you,” middle eight, “but you don’t like me,” end. I have about 15 tapes like this, and I love every one of them.
So in the spirit of the early days of the internet, I’ve made you a mixtape. It’s twee to the core, the perfect Springtime Crush Tape to accompany the season’s giddy, furtive romances. And it’s 45 minutes long — so it can perfectly fit on one side of a 90 minute tape. Listening to it, I realized it’s the sonic equivalent of emptying 125 Pixie Sticks into your mouth.
Yeah, it’s pretty awesome.
You can go to the individual albums below, or just use the playlist I made here.
1. “Anyone Can Make a Mistake” – The Wedding Present
2. “Happy All the Time” – The Flatmates
3. “Words & Smiles” – Tiger Trap
4. “Nothing to be Done” – The Legends
5. “The Way to Market Station” – The Aislers Set
6. “Throw Aggi Off the Bridge” – Black Tambourine
7. “Three Star Comparment” – Heavenly
8. “In Spite of These Times” – Close Lobsters
9. “You Tell Me” – the Go-Betweens
10. “Felicity” – Orange Juice
11. “To Live & Die in the Airport Lounge” – My Teenage Stride
12. “If You Need Someone” – The Field Mice
13. “Pack Your Things and Go” – The Softies
14. “Cleaning Out the Store” – The Harvest Ministers




I used to spend hours in photoshop making custom covers and panel designs for my mixtapes (not to mention all the time spent picking out the music and recording it). Upon retrospect that seems kinda hi-fi for such a lo-fi operation.
in the 80s when i was making tapes, i used to just cut or xerox photos out of magazines or books, type up titles or handwrite them, and tape it all together on a j-card, sometimes xeroxing the final product to make it look more “professional”.
i do feel like we’ve lost something now, just d/l-ing tons of mp3s onto ipods
the mp3 playlist is just not the same as a handmade & decorated mix tape
i agree with the smellygirl.
I loved the old piano-key-style tape decks because you could micromanage the transitions between songs, making the next one start up right on the last beat of the previous one. I don’t even want to think about how many days of my life were consumed by endlessly rerecording the same song, trying to get the transition from the previous song just right. (And then, several songs later, deciding that the whole tape had gone seriously awry and required rerecording from an even earlier point in the sequence, destroying hours of work in pursuit of perfection.) It’s amazing I ever got any tapes made, but I did, and people still mention them to me. The other cool thing about old-school tape was that when recording over the fadeout at the end of a song, it would sometimes leak through so that you had an actual fadeout segue. This is of course completely uninteresting now, but I always felt like the Tape Gods were looking out for me when it happened.
not only did i love trying to master the overlapping fadeout, but i also got a crazy charge when i managed to find a song that was the perfect length to close out a side; having the tape go immediately into the lead as soon as the final song ended was the sign of a mixtape master.