best pavement songs ever (15-11)

The kings of indie rock, the best band ever from Stockton, California, and one of my favorite bands of all time: Pavement. They were an incredible band, with a range (life) that stretched between power-pop, slow indie jamz and even (in their later, forgettable years) jam band-age. Their first three albums are musts: Slanted & Enchanted, Crooked Rain Crooked Rain and Wowee Zowee. But some of their best songs were often relegated to B-sides, now collected on the reissued versions of those three albums, and so, for many years, the crème de la crème was somewhat scattered. To help you navigate the many, many songs they have recorded and released, we present to you the twenty greatest Pavement songs ever, with five selections per day for the rest of the week.

xoxoxo

15 “Silence Kit” | Crooked Rain, Crooked Rain

Like “We Dance,” another album opener, this one beefier and broader, the first song they unleashed to the world after they “mattered.” What’s funny is that I don’t think it’s that much better than any of the songs I mentioned before, but it’s wrapped in more meaning being the first song on Pavement’s best-selling album and so evocative of a particular moment.

“Silence Kit” live in Cologne, 1994, with a fantastic alternate ending:

14 “Strings of Nashville” | Crooked Rain Crooked Rain: LA’s Desert Origins

Man did I love the “Gold Soundz” single. That might’ve been the moment when my interest turned into scary fandom, those three B-sides so good: “Kneeling Bus,” “Exit Theory” and this track. The resignation in “Nashville” is otherworldly: every aspect of the song is performed with the least amount of effort possible. Malkmus sounds like he’s singing from the bottom of a well, and the guitar is played so slowly and laconically it’s as if Kannberg is trying to transcribe the tablature as they record. Taken as a whole, it’s hypnotic, and a perfect, self-contained song.

13 “So Stark (You’re a Skyscraper)” | Trigger Cut

Though I dunno what it means, I’ve always found one lyric from this song awesomely snotty: “Stunnin’ the bureaucrats/ So fucking lost/ Stark as a skyscraper/ Letters embossed.” This is a rare Pavement song that heavily emphasizes the low-end, providing a pissy edge to the song’s placid, lackadaisical feel. Malkmus does his typical follow-the-bouncing-ball vocal melody, but his howl towards the end is totally unexpected and great. Recorded around Slanted & Enchanted, this really encapsulates the sound of early Pavement well.

12 “Give It a Day” | Pacific Trim EP

Veering close to Brighten the Corners-era, “Give It a Day” is so wordy it’s like Malkmus-as-self-parody, with its Cotton Mather namecheck, “small pox in the Sudan” and “gentrified your Alzheim clan” lyrics. But the melody is irresistible, loopy, catchy and really large. I remember this EP being a huge deal when it came out — only 5,000 copies manufactured on its initial run (it might have been my first-ever pre-order — thanks Blacksburg Record Exchange!) — and it really did signal a new direction for Pavement, with the ridiculous “Gangsters & Pranksters” and “Saganaw,” maybe the worst song in the band’s history (soooooo bad).

11 “AT&T” | Wowee Zowee

I originally had this song at the #3 spot — a sign of how close the next eleven songs are in terms of quality — but I had to keep dropping it as I returned to some old favorites. Still, this is an incredible song, especially its opening lyric, which I have always adored: “Maybe/ Someone’s gonna save me/ My heart is made of gravy.” (Is there a medical procedure for that, like doing a biscuit transplant?) If it weren’t for the last minute, which gets a bit silly in its epic-ness, this would’ve stayed top five, for sure. Although, listening to it on repeat right now, I can’t help but to feel like I’ve made a mistake for ranking it so low. Oh well.

Here’s a video someone on YouTube created of “AT&T” synced to a kung-fu movie: