best pavement songs ever (20-16)

(Left to right: Pavement, Billy Corgan, Scott Weiland & Gerard Cosloy | Image by John LaFoe)

The kings of indie rock, the best band ever from Stockton, California, and one of my favorite bands of all time: Pavement. They were an incredible band, with a range (life) that stretched between power-pop, slow indie jamz and even (in their later, forgettable years) jam band-age. Their first three albums are musts: Slanted & Enchanted, Crooked Rain Crooked Rain and Wowee Zowee. But some of their best songs were often relegated to B-sides, now collected on the reissued versions of those three albums, and so, for many years, the crème de la crème was somewhat scattered. To help you navigate the many, many songs they have recorded and released, we present to you the twenty greatest Pavement songs ever, with five selections per day for the rest of the week.

xoxoxo

20 “She Believes” | Westing (By Musket and Sextant)

Early recording, much of the song pretty much a throwaway, but it’s that Daydream Nation chorus, “but she believes,” Malkmus sings razor-thin, and the guitar pensive and hoping that makes the song so great. It totally falls apart (purposely) in the last 40 seconds — maybe the boys weren’t comfortable yet sounding purty? — but the rest of the song more than makes up for it.

19 “We Dance” | Wowee Zowee

Somewhere, sometime, someone from Pavement said something about how there was no set order to Wowee Zowee, that the random button on your CD player (‘member those?) was just as good a sequencing. There’s some truth to that, but it’s also true that “We Dance” is a spectacular opening song, a statement of purpose, a rock critic might say, for WZ itself: content to stay in place, no direction forward, relaxed and stoned. Oh and of course that opening lyric, so prescient from a white-dudes-with-guitars-indie-band in a particularly socially aware moment: “There is no/ Castration fear” as water starts pouring in the background. Funny stuff!

18 “In the Mouth of a Desert” | Slanted & Enchanted

The first in a long line of Pavement almost-ballads, those mid-tempo numbers where Malkmus sounds bored, the band sounds tinny and uninterested, the whole reason why they got stuck with that slacker tab and seemed determined to live up to it. They are also, pretty much across the board, the best Pavement songs. So maybe there’s something to that after all.

Here’s the band in 1992 at the Reading Festival playing “Desert:”

17 “Shady Lane” | Brighten the Corners

So I have a really, really hard time with Pavement post-Pacific Trim. Brighten the Corners totally bummed me out, and Terror Twilight I just couldn’t deal with at all. Pavement got so technical, sounding almost like Steely Dan with how orchestrated the songs suddenly were, as if they were playing connect-the-dots with some sheet music that fell out of Spiral Stairs’ knapsack. Still, I have to give it up for “Shady Lane,” which is a very sweet song, goofy in the right places and it’s really, really damn hard not to coo along with Malk, “Dutch! Dutch! Dutch!”

Here be the music video:

16 “Greenlander” | Slanted & Enchanted: Luxe and Redux

Originally included on the Born to Choose comp in ‘93, “Greenlander” is in the vein of Slanted & Enchanted, very muffled with lots of dramatic mini-pauses, stuttering drums from Nastanovich (or is that Gary Young?) and that omnipresent bass-heartbeat. A spectacularly understated tune.